Has the Hong Kong film industry embraced self-censorship post-2020?

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Hong Kong Film Industry Adopts Increased Self-Censorship Following National Security Law

Following the imposition of a strict national security law by Beijing in 2020, the Hong Kong film industry has significantly increased its self-censorship practices. This trend is reflected in a rise in banned and modified films, as well as filmmakers becoming hesitant to tackle sensitive topics related to Hong Kong's political landscape.
Censors Reject and Alter Films at Higher Rates

Between 2021 and July of the current year, Hong Kong censors banned a total of 13 films, citing national security reasons. Furthermore, an additional 50 films were required to undergo modifications before release. This marks a notable shift from the period between 2016 and 2020, when no films were banned.
Filmmakers Express Hesitation to Address Local Politics

Filmmakers have indicated a growing reluctance to produce content that directly addresses Hong Kong's contemporary political situation. Director Kiwi Chow stated that if a film touches upon the real political circumstances in Hong Kong, it becomes exceedingly difficult, if not impossible, for anyone to undertake such a project. This sentiment underscores a pervasive atmosphere of caution within the creative community.
Significant Increase in Film Bans in 2023

The year 2023 alone saw 10 films banned in Hong Kong, a substantial increase compared to the preceding years. This surge in outright prohibitions highlights the tightening grip on cinematic content and suggests a more stringent interpretation of national security concerns by the censorship authorities.
Self-Censorship Becomes the Norm Post-2020

A year after the national security law was enacted, film censorship rules were tightened. This led to an escalation of self-censorship within the film industry, as creators preemptively avoid potentially controversial themes to circumvent rejection or modification. Filmmakers like Chow have experienced difficulties in securing investment and collaborators, indicating the broader impact of this climate on creative careers.

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Has the Hong Kong film industry embraced self-censorship post-2020?

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