How does Mia Hansson approach the historical accuracy of her tapestry replica?

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Mia Hansson's Approach to Historical Accuracy in Her Bayeux Tapestry Replica

Mia Hansson's creation of a replica Bayeux Tapestry is driven primarily by a dedication to the craft of embroidery, rather than an intrinsic interest in the historical events it depicts. She has learned about the Norman conquest of England through the intimate, visual process of recreating the artwork, rather than through direct historical study. Hansson states she actively dislikes history, learning its details only as a consequence of her detailed work with the tapestry's imagery.
Focus on Handicraft Over Historical Interest

Hansson explicitly states that her motivation for undertaking the extensive project was purely for its craftsmanship. She has no particular fascination with William the Conqueror or the 1066 Battle of Hastings. Her pursuit of the replica stems from a desire to engage with the intricate details and techniques of embroidery, viewing the historical narrative as secondary to the artistic and manual labour involved.
Learning History Through Visual Intimacy

The artist describes her learning process as an involuntary absorption of historical information. By working closely with the images and scenes of the original 11th-century artwork, she has become familiar with the events of the Norman conquest. This intimate engagement with the visual elements of the tapestry has led her to "learn the history against her will," without recourse to reading historical texts or engaging in traditional historical research.
Methodical Replication of Original Imagery

Hansson's process involves meticulously drawing the recognisable images from the original Bayeux Tapestry before stitching over them. She endeavours to match the colours of her embroidery threads to those of the original artwork as accurately as possible. The materials used for her replica are also carefully chosen, with the cloth being 100 per cent linen and the embroidery thread made of 100 per cent wool, mirroring the likely composition of the historical piece.

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How does Mia Hansson approach the historical accuracy of her tapestry replica?

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