Was the minister’s fashion shoot appropriate for her office?

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The Minister's Fashion Shoot Was Deemed Inappropriate for Her Office

The use of the minister's office for a fashion shoot to display Raya fashion wear has been widely criticised as highly inappropriate. Former officials and politicians have voiced their strong disapproval, contrasting the current use with the office's traditional functions of policy discussion and public welfare engagement. The minister herself has not publicly provided a justification for the fashion shoot within her official premises.
Criticism from Former National Welfare Foundation CEO

Datin Paduka Che Asmah Ibrahim, the former CEO of the National Welfare Foundation, expressed disbelief at the fashion shoot taking place in the minister's office. She stated that the office, which was previously a hub for discussions on policies and laws benefiting Malaysian women and children, should not be used to "parade 2021 Raya fashion wear." Che Asmah recalled the office being a place for back-to-back meetings and feedback sessions concerning the public's plight, making the transformation into a "modelling photo studio" unimaginable.
Political Scrutiny and Public Perception

Photos of the minister modelling various baju kurung designs circulated on social media, eliciting a mixed public reaction that included both praise and criticism. This event occurred amidst broader political scrutiny. Batu Kawan MP Kasthuri Patto criticised the minister for allegedly neglecting her duties and failing to advocate for the people. Furthermore, questions have been raised by prominent figures like Dr Wan Azizah and Hannah Yeoh regarding the prolonged delay in tabling the Sexual Harassment Bill, a matter that has been pending for over a year.
Contrast with Official Office Functions

The office in question has historically been a site for significant policy deliberations and legal discussions aimed at advancing the rights and welfare of Malaysian women and children. Former occupants and staff recall a highly functional environment characterised by continuous meetings and consultations focused on addressing public concerns. The shift to using this official space for a fashion-centric activity stands in stark contrast to these established operational norms and the perceived gravity of the ministry's responsibilities.

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Was the minister’s fashion shoot appropriate for her office?

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