Who are the four home-grown filmmakers involved in Utter?

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The four home-grown filmmakers involved in Utter are Wee Li Lin, Sanif Olek, Don Aravind, and Kenny Tan.

These four Singaporean directors are bringing works by local authors from print to the screen as part of this year's Utter initiative. Their films are adaptations of literary pieces by Singaporean writers, with the directors and writers scheduled to be present for a post-screening discussion. This event, now in its fourth year, is an initiative by the Singapore Writers Festival aimed at adapting local literature for various media and across different languages.
Adaptations of Singaporean Literature
The four films being screened are Wee Li Lin's That Loving Feeling, based on the late Gopal Baratham's Homecoming; Sanif Olek's Tin Kosong, adapted from Muhammad Salihin Sulaiman's story of the same name; Don Aravind's At Your Doorstep, which draws from Kamaladevi Aravindhan's Peaks; and Kenny Tan's Going Home, based on Lin Jin's short story of the same title. These adaptations span works originally written in Tamil, Mandarin, Malay, and English, highlighting the diversity of Singaporean literary voices.
A Platform for Local Stories and Filmmakers
This initiative by the Singapore Writers Festival serves to raise awareness for both local authors and filmmakers, showcasing compelling narratives from Singaporean storytellers that are suitable for cinematic adaptation. Nicholas Chee, co-founder of Sinema Media, the producing partner for Utter 2014, suggested that this could represent a new frontier for short films as the industry matures. The project aims to bring these stories to a wider audience through the big screen.
Rapid Production on Limited Budgets
Remarkably, these four films were each shot within a two-day timeframe, with the pre-production for all of them completed concurrently over eight weeks. This accelerated production schedule contrasts with typical grant timelines, such as those from the Media Development Authority, which usually allow for 12 months for a short film. The filmmakers were able to achieve this feat by working with industry professionals and focusing on creative aspects under what were described as "not real commercial budgets."

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Who are the four home-grown filmmakers involved in Utter?

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