Why was avoiding stunt doubles and rigging systems crucial for realism?

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Avoiding stunt doubles and rigging systems was crucial because it helped the fight scenes look more realistic.

Syazlie Syazz’s casting in The Keris was tied to a specific production goal: the director and producer wanted an actor who could perform complex action sequences without relying heavily on stunt doubles or rigging systems. This approach was intended to make the fight scenes appear more realistic to viewers, rather than looking staged or artificially supported.
The casting requirement focused on full performance during action sequences
The actor was chosen after the producer Dr N. Matheyalagan and director Viknes Perrabu searched for someone capable of handling complex action sequences. The key condition was that the performances should not depend heavily on stunt doubles or rigging systems, which would otherwise take over parts of the action.
The realism goal was explicitly linked to how fights were filmed
The production team’s reasoning was direct: avoiding heavy reliance on stunt doubles or rigging systems would allow the fight scenes to appear more realistic. In other words, the on-screen action was meant to come from the actor’s own execution rather than from controlled setups.
The film’s action was built around controlled choreography and safety planning
Even with a realism-focused aim, the production also invested in preparation. The action team spent nearly two weeks before filming planning and rehearsing every fight sequence, including actors’ movements, attack angles and safety measures.
Stunt work and technique were treated as part of the realism strategy
The action specialist A. Devadas (MJ Deva) said the team could produce action scenes without relying heavily on stunt doubles or safety wires because Syazlie understood the techniques and could execute them well. In the film, more than 20 stunt performers also played various roles, while every movement involving silat was reviewed by martial arts experts to keep the techniques and weapon use faithful to the traditional martial art.

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Why was avoiding stunt doubles and rigging systems crucial for realism?

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